Showing posts with label ballet. Show all posts
Showing posts with label ballet. Show all posts

Tuesday, April 06, 2010

BalletMet: American Legends rounds out the 2009-2010 season



COLUMBUS, OHBalletMet Columbus closes its 32nd season with the soulful triple bill of American Legends: Johnny, Sammy, Stevie, April 23-May 1, 2010, at the Capitol Theatre, 77 S. High St. Three of North America’s most renowned choreographers offer three world premiere works set to the music of country music royalty, a Rat Pack crooner and a Motown superstar. The visionary James Kudelka sets his work to the music of Johnny Cash. Rising star Darrell Grand Moultrie pays tribute to the music of Sammy Davis, Jr. And famed star of stage and screen Maurice Hines presents a new work to the music of Stevie Wonder.

The choreographers, legends in their own right, were inspired by the musical genius of three musicians who shaped their musical genres and the history of American music and culture; they overcame adversity and personal struggles to inspire generations of fans and aspiring musicians and other artists. Their songs commemorate American life and the dance works in American Legends emulate that, creating an entertaining and engaging revue. Each of the three choreographers will return to Columbus in March and April to work with the company.

“I am thrilled to close our season with this lively premiere that honors the timeless music of three American icons,” said BalletMet’s Artistic Director Gerard Charles. “The dancers have enjoyed working with these incredible choreographers and performing a variety of dance styles. The energy in the studios is palpable. You can’t help but sing along!”

THE MAN IN BLACK (Music: Johnny Cash; Choreography: James Kudelka)
The BalletMet dancers trade their pointe shoes for cowboy boots in James Kudelka’s new work, The Man in Black. Kudelka felt that Johnny Cash’s songs—country music infused with touches of rockabilly, rock and roll, blues and folk—offered themselves to such iconic costuming and fitting movement style, celebrating the American spirit and ‘the working man’ with both humor and sentiment. “The songs tell stories and we are respectful of that,” Kudelka said. Most of the songs Kudelka selected for the work were recorded late in Cash’s life. “I liked the seasoned quality of his voice on these recordings,” Kudelka said.

SIMPLY SAMMY (Music: Sammy Davis, Jr.; Choreography: Darrell Grand Moultrie)
“It’s a dance tribute to the music of Sammy Davis, Jr., arguably one of the most talented entertainers of his generation,” said choreographer Darrell Grand Moultrie of his work, Simply Sammy. “His music is infectious.” Moultrie’s work pays homage to Davis, Jr.’s extensive and varied songbook that spans six decades, featuring nine songs ranging from the reflective Mr. Bojangles to the playful Lady is a Tramp to the sorrowful What Kind of Fool am I. “It’s a rollercoaster ride of excitement and emotions,” Moultrie said. In honor of Sammy Davis, Jr.’s tap dance legacy, a tap dancer will join BalletMet dancers on stage. Tap dancer Marshall L. Davis, Jr., based in New York City, is a professor of tap at Queens College and is performing in the touring production of Savion Glover’s Bare Soundz.
  
WONDERFUL (Music: Stevie Wonder; Choreography: Maurice Hines)
When Maurice Hines met with Stevie Wonder in 2009, he told Wonder about his new work for BalletMet, Wonderful. Wonder was blown away, remarking with astonishment “ballerinas are dancing to my music?” Indeed, BalletMet dancers are celebrating Wonder’s joyful songs and his significance to American music history through Hines’ theatrical movement. “This is a celebration of what [Stevie Wonder] means to me,” Hines said. “There is such positivity in his music and the world needs that right now.” As for working with the BalletMet dancers again, following his work High C for Jazz Moves Take 2, a 2009 collaboration between BalletMet and the Columbus Jazz Orchestra, the distinguished Hines said “they are wonderful, inspiring. They make me better than I am.”

PERFORMANCES and Tickets
American Legends performance schedule is as follows: 8pm Friday, April 23; 8pm Saturday, April 24; 2pm Sunday, April 25; 7:30pm Thursday, April 29; 8pm Friday, April 30; 8pm Saturday, May 1. Tickets start at $25 and can be purchased through CAPA (614.469.0939), Ticketmaster (800.982.2787, ticketmaster.com) or balletmet.org. College students with ID can purchase $15 Student Rush tickets at the theater beginning two hours prior to show time.

ABOUT BALLETMET COLUMBUS: BalletMet Columbus, renowned for its versatility and innovative repertory, ranks among the nation’s largest dance companies, and its Dance Academy ranks among the largest professional dance-training centers. Since its inception in 1978, BalletMet has added 152 Company premieres to its repertoire and produced 124 world premieres. It has also developed DanceReach, a series of educational and outreach programs that serve nearly 30,000 people annually; through DanceReach, up to 70 scholarships each year give access to talented youth, many from minority and underserved groups, who cannot otherwise participate.
   
SPONSOR SUPPORT: American Legends presented with support from American Electric Power. Support provided by the National Endowment for the Arts. Media partners are The Columbus Dispatch, alive!, TV One, Magic 98.9, Power 107.5 and Joy 106.3. Senior Dress Rehearsal sponsor is WMNI. BalletMet Columbus receives support for its annual performance season from The Columbus Foundation, the Greater Columbus Arts Council, the American Recovery and Reinvestment Act, the Ohio Arts Council, Classical 89.7 WOSU-FM and Time Warner Cable.

FOR ARTIST INFORMATION, VISIT WWW.BALLETMET.ORG

Friday, March 05, 2010

Culture Cat: Carmina Burana


If I said to you, "Hey, let's go spend our Friday night watching a ballet based on the poetry of monks!" You'd probably look at me like I was crazy.
Too bad. You would've missed a great show.
BalletMet's penultimate performance of the 2009-2010 season, Carmina Burana is, indeed, a ballet based on the poetry of monks, set to the music of Carl Orff. But these aren't your typical monks; these guys wrote about love, passion, drunkeness, and all that other stuff monks aren't supposed to know anything about it. BalletMet's stupendous company exuded eroticism and passion as they performed the bravura, almost hour long work.
BalletMet hasn't performed Dwight Rhoden's intense, epic piece in six years, and it's easy to see why. The company is onstage practically every moment, and not in the neat postures of classical ballet's corps. These dancers jumped, spun, leaped, and climbed on and over the set, the stage, and prop benches (sometimes even doing pirouettes on the benches.). Lead by the duo of Olivia Clark and Jimmy Orrante (whose pas de deux to In truitina--in the balance-- was magnificient), the featured pairs and a corps of women lead the audience on a never-to-be-forgotten romp through love, passion, debauchery, death, gluttony and excess--in short, the gallery of life.
All of the dancers did superb work, but meriting special mention are Emily Gotschall, Adrienne Benz, Jackson Sarver, Andres Estevez, Bethany Lee, Austin Finley, Andrew Notarile and Annie Mallonnee. Gotschall, Benz, Sarver, and Estevez seem to have instant spotlights on them whenever they are onstage, and they delivered fantastic performances tonight.  And Clarke and Orrante were pitch perfect as the leaders of this romp, with Clark being especially seductive and entrancing. 

Carmina, however, was the second great piece of the evening. The night opened with a world premier by company dancer Jimmy Orrante (The Great Gatsby), entitled "Coming Into View". Eight dancers--Olivia Clark, Emily Gotschall, Annie Mallonee, Christine Mangia, Kerri Riccardi, Jon Drake, Andres Estevez and Gabriel Smith--performed this contemporary work about relationships, interconnectedness and individuality, set to the music of Rene Aubry and Gabriel Smith (yes, he also performed in this work. Multi-talented, for sure.). The contemporary costumes--khakis and polos for the men, and flowing dance dresses for the women (who also wore flat technique shoes) perfectly matched the tone of the piece. The section for all women, and the lovely pas  and male solo, are worth special mention.

This night of passion, athleticism and artistry is a perfect bill. Don't miss it.
Carmina Burana, with "Coming Into View", will be performed through March 13 at the Riffe Center in downtown Columbus. Tickets can be purchased at www.balletmet.org
 

Seven Quick Takes Friday--Vol. XVIII

 

I . 
It's March, and the snow is melting! It's supposed to be almost 50 this weekend. I am very excited about that. 

II. 
Today is my best friend Branden's birthday. We've known each other since we were in pre-school! Happy birthday, Sir!

 
Christmas 2009--I'm next to Branden. 
III.
OK, yes I have a lot of best friends. But Branden is my best male friend. And Andrea's birthday is tomorrow (she's in the gray and white sweater in the pic above). So two birthdays back to back. Then Tiff's fiance's birthday later this month, and then mine.

IV.
A thing with me is love of birthdays. I love them, everything about them--the cards, the cake, the presents. Birthdays rock my world. 

V.
What does not rock my world? My third cold this winter (and I've gotten every one from the same person, who shall remain nameless.). I might have nipped this one in the bud, since I don't feel too horrible today, just sleepy. But with immuno-compromised me, colds (anything, almost) should be Handled With Care.

VI.
I want to feel better by tonight, since tonight is opening night of BalletMet's Carmina Burana! I am really looking forward to this show. Tickets are still avaiable  at the Riffe Center box office prior to the show, or I bet you could get them for later in the run from the online box office (link above). This should be a great performance. 

VII.
And we'll wrap with some books of 2010: The Covenant, The Betrayal, The Sacrifice, The Prodigal, The Revelation, Barefoot Contessa Cookbook. I want to finish Master and Margarita today, too. 
Oh, and did you hear? I finished a story! A real story, with a beginning, middle, and end! I think I might revise it a bit today too. Once I've got it (pretty much) to my satisfaction, I'll post some. Maybe.;-) 
For more quick takes, go to Jen's!

Friday, February 12, 2010

Seven Quick Takes Friday Vol. XXIII

(I'm going to try to be like Margaret and see if I can do this in 20 minutes!)

I. 
I am not a Saints fan--I am a Steelers fan. 
That said, the Saints might just have become my favorite NFC. I love Drew Brees and his adorable child. That picture post-game? Priceless. 

II. 
Snow, snow and more snow--and now icicles. At least now I am beginning to see more pavement in my parking lot, and even a few parking spot lines! So this is progress. Slush is better than snow, which is better than ice. There is hierarchy here.

III.
Weekend plans (for the long weekend--Monday off!): BalletMet's A Midsummer Night's Dream Tonight, at the Riffe Center; tomorrow, dentist in the AM and stuff with Tiffany; Sunday, Lay Dominicans after Noon Mass, and Monday? Just hanging out. Whew. 

IV. 
I'm back to blogging at CPG. I sort of neglected it while I tried to do 30 posts in 30 days over here, during  the month of January (check the archives--totally achieved that goal!).  With Lent starting next week (can you BELIEVE it?), that will be the place for all things Lent. 

V. 
Books of 2010 update: Death On a Friday Afternoon, Brava, Valentine, Lucia, Lucia. 

VI.
Blog housekeeping: Noticed those tabs up above? I really love them. They will be evolving, so keep an eye out. If you have any comments/suggestions/questions, click the contact me tab and shoot me an email, or just leave one in the com box. I do read (and respond to!) every email and comment from the blog. 

VII. 
I do not have a Valentine this year; I did, however, send my godson an e-card. And Nigella Lawson's Feast has a recipe for a single Valentine's Day meal. I'll be making that tomorrow (or Sunday) and posting the results here. Probably making it Sunday--on actual Valentine's Day.
(And my godson? He lives in Pittsburgh, and hasn't had school all week. I bet my Aunt is going stir crazy with two teenage (well, almost teenage, in Ryan's case) boys around all week. 
(7 minutes! I rule!) 

Check out more quick takes over at Jen's!

Thursday, January 07, 2010

Sunday, November 08, 2009

The Simple Woman's Daybook--November 9, 2009




Outside My Window ...

It's dark now, but it was a beautiful late fall day--highs in the 60s, and a pale blue sky. Fantastic.

***
I am listening to...
Handel's "Messiah" (Christmas section)

***
To Live the Liturgy...
Magnificat, Rosary, and Signs of Life, Scott Hahn's new book.

***
To Fit and Happy...

Gym and ballet this week. I get Wednesday off, so there is no reason gym and/or ballet should not happen.

***
I am thankful for...
short weeks!
***

I am pondering ...
tomorrow's Target list.

***
From the kitchen ...

Not sure. Lots of pasta/soup this week, I think. Maybe some meat sauce making on W.

I am wearing ...
Pitt sweatpants, a J.Jill camisole (heading to bed soon)

***
I am creating ...
music

***
On my iPod...
more "Messiah" and voice lesson music.

***

I am thinking...
that I can't wait for Wednesday

***
Around the House
Cleaning which =getting stuff off the floor!

.***

I am reading ...
See above; also The Looking Glass, and Catherine of Sienna. Also read: A Daughter's Love: Thomas More and His Dearest Meg yesterday. Soooo good.  (Of course this ALSO led to watching A Man for All Seasons, which is NEVER a bad thing.)

***
I am hoping and praying ...
for my grandpa.
***

On Keeping Home ...

Getting ready for the holidays--card writing, cleaning, etc., etc.


***
One of my favorite things ...
singing with talented people


***
A Few Plans For The Rest Of The Week:
T: Pampered Chef Party!
W: Voice at 2:00, gym/ballet, DAY OFF!
Th: CF clinic @ 3:30
Sat: Music Man auditions!
Sunday: Messiah rehearsal; Faith Sharing group


A picture thought I am sharing:

Corner of State and Third Street, Downtown Columbus, Fall (it was taken this year, ignore the '07 thing)

Saturday, November 07, 2009

Culture Cat: BalletMet's "Nightmoves"




Last night was the opening performance of BalletMet's "Nightmoves", a series of six contemporary pieces featuring six different choreographers. BalletMet always sprinkles their season with events like this, that showcase modern dance and a variety of choreographic styles. "Nightmoves" is this year's selection. While one of the pieces had been performed previously by the company (Twyla Tharpe's "Sinatra Suite"), all of the others were either company or world premieres.

The show kicked off with Gerald Charles' "Maestro", set to Benjamin Britten's The Young Person's Guide to Orchestra. The whimsical piece explored the relationship the four different orchestral sections have with the Maestro (danced last night by Jimmy Orrante). Four dancers represented the "section leaders" for the woodwinds (Emily Ramirez), strings (Carrie West), Brass (Jackson Sarver), and percussion (Dustin James). Three addition dancers, in slightly different costumes than that of the section leader, fleshed out each instrumental family.


BalletMet dancers David Tlaiye and Jessica Brown in "Maestro"




This costumes for this piece, designed by Frank Quadflieg, exactly matched the piece's whimsical tone and used unique elements such as hats, orange tights for the men in the brass section, and black pointe shoes for the women of the string section.

Tharp's "Sinatra Suite", danced by Adrienne Benz and Jon Drake, was next. I love this piece and was glad to see it again, although the male solo at the end was cut from this production. Benz, especially, did a lovely job in this piece. You can tell she greatly enjoys dancing it.

The Act I finale was a real highlight--Laurie Eisenhower's "Night Music", set to Mozart's Eine Kleine Nachtmusik. All six dancers were asleep! I think I saw eyes open once (and I was in the front row), which made their contortions, movements and facial expressions even more amazing. Using a couch as a prop, the dancers slid over it, around it, and jammed onto it, all "asleep" as the piece progressed. It's laugh-out-loud funny, and it alone is worth the ticket price.

After a twenty-minute intermission, the second half kicked off with a world premier--"Relevant", by Maria Glimcher. In a video clip before the dance, Glimcher explained that the piece is about time--how we are affected by it, and how we experience it. The piece is set for four female dancers and features two long strips of fabric that initially divide the stage into four quadrants, like a clock.

I liked this piece, especially the second part, which was a bit softer. The dancers did a wonderful job with the choreography, and the use of the fabric was innovative and appropriate. I did find Glimcher's choreography to be a bit out of sync with the music, especially in the second half, when the accompaniment was a gentle piano melody. The harsh movements of the dancers seemed dissonant to me.

"In g major", a pas de deux by choreography Michael Uthoff, was next. Danced by Zoica Tovar and Andres Estevez (whom we saw last as Odile and Prince Siegfried, respectively, in Swan Lake), this was an achingly beautiful expression of love. Uthoff had choreographed this as a wedding gift for two Ballet Arizona dancers who were getting married, and it perfectly captures that sentiment. Tovar and Estevez express all the expressions of new love--wonder, joy, tenderness--in this piece. It ends with a small kiss.

Finally on the program was company dancer Adam Hundt's "dwell," which used video as well as music. Set for six dancers (three pairs of men and women) performed the evening's most modern piece. The dancing was demanding--the women often had to do lighting-fast changes from technique shoes to pointe shoes--and extremely innovative, as were the costumes (shredded black leotards, tights, and tank tops). I think the first half of the program (before the video) was better than the first, and I wasn't quite sure about the use of props (rope, and long tulle skirts for the women). But the dancers' athleticism and vigor made this an exciting piece to watch.

"Nightmoves" is an exciting peek into the future of dance, and a fine bridge between two Classical staples--Swan Lake and The Nutcracker (which opens December 11). Do yourself a favor and see it.

"Nightmoves" will run through November 20 at the BalletMet Performance Space. Tickets can be purchased here

Tuesday, October 20, 2009

More Swan Notes


Some more thoughts that I couldn’t cram into the Supersized Culture Cat on Friday.
    • Here is a post where I write about Odette’s tutu. All the work that goes into ONE—and there were 34 Swans on the stage! What a feat of costuming. Just when I think that everything is going to computers (or China), I see things like this coming out of our local costume shops.
    • The BalletMet costume shop, by the way, is amazing. When I interviewed with BalletMet, I got a tour of the facilities. The costume shop was one of the spots. There are huge wooden work tables, industrial washers and driers, fitting areas, and (the best part), an entire long room full of costumes, tagged with dancers names, the shows they’re a part of, and character tags. It’s a little girl’s dream of a dress-up trunk.
    • As with the CSO concert the week before, the performers received a long and loud standing ovation. The only dancers who took bows were the corps of swans, the cygnets, the big swans, Von Rothbart, Odile, Siegfried, and Odette. I thought that was a bit odd—what about the men and the kids?—but now that I think about it, they probably couldn’t all fit on the stage!
    • All these standing ovations I’ve seen lately have been well deserved. Sometimes, among theater/music cognoscente, there’s disdain attached to SOs—that they should be reserved for the truly exceptional. Well, what if you’re seeing a lot of exceptional? The Beethoven 9th—very excellent. Swan Lake—superb. They all deserved SOs, and I’m glad they got them.
    • There were props in this ballet. That’s not something I’ve seen very often. Fans, , cups, crossbows, tables for the cups—that was a lot of property. Whoever the stage manager is/was, excellent work. I bet the wings were super-crowded!
    • Next BalletMet performance: Night Moves, a collection of pieces, at the BalletMet performance space on Mt. Vernon Avenue. Opening night is Nov. 6, and ticket information can be found here. The black box theater is an intimate, yet casual venue, perfect for up-close-and-personal dance experiences. 

Monday, October 19, 2009

The Simple Woman's Daybook--October 19, 2009




Outside My Window ...

Sunny and the leaves are pretty close to peak color. They are fantastic!!!

***
I am listening to...
Loreena McKennit, "The Book of Secrets" (I'm ADDICTED, I tell you. Addicted.)

***
To Live the Liturgy...
Rosary, Magnificat, Bible reading, classes, and re-reading Rediscovering Catholicism for my Faith Sharing Group. I also got my Advent companion from Magnificat today. Can you believe in about a month, it will be the first week of Advent?!

***
To Fit and Happy...

Gym and ballet this week. If I achieve ONE day of gym, and ballet class, I will be happy.

***
I am thankful for...
beautiful fall days.
***

I am pondering ...
the rest of the day's schedule
***
From the kitchen ...

Made orzo pasta with saffron and shrimp last night, and had the leftovers for lunch. So probably just soup and sandwich for dinner. I'm sort of "eating down the kitchen" this week.

I am wearing ...
Brown tights, a heather khaki skirt from J. Jill, and a cashmere sweater from Talbots (in this fantastic color called "raven", it's a great blue. I want everything they have in this color, but I'm restraining myself.)

***
I am creating ...
The memoir; music (voice lesson practicing)

***
On my iPod...
The "random" Setting. :) (Or shuffle. Whatever)

***

I am thinking...
that it's shaping up to be a good week.

***
Around the House
More clearing of the kitchen table.

.***

I am reading ...
W.H. Auden's poems; The Amish Cook's Baking Book. (It is awesome. Believe me.)

***
I am hoping and praying ...
for friends who are undergoing cancer treatments.
***

On Keeping Home ...

these candles look awesome. (keeping this link because they are awesome)


***
One of my favorite things ...
baking


***
A Few Plans For The Rest Of The Week:
Possibly Opera Columbus this weekend--they're doing Pagliacci. 
W: Ballet
Th: Voice


A picture thought I am sharing:

Jerome Bettis and Mario at the Steelers game yesterday. Two of my favorite sports people.

Friday, October 16, 2009

Culture Cat--BalletMet/Cincinnati Ballet's "Swan Lake"


BalletMet Dancer Carrie West as Odette--photo courtesy of BalletMet


BalletMet opened its 2009-2010 season tonight with a bang--a massive production of Swan Lake, performed in conjunction with Cincinnati Ballet. In front of a large, very appreciative audience at the Ohio Theater, both ballet companies performed to their absolute best and presented a new version of "the most classic of Classical Ballets", while still remaining true to the ballet's core.

With well over 40 professional dancers, and 30 dancers from the BalletMet academy, this production is much larger than BalletMet's last presentation of Swan Lake (David Nixon's version, in 2004). While the sheer number could be overwhelming in less capable hands, the choreographic trio of Gerard Charles (BalletMet artistic director), Victoria Morgan (Artistic Director/CEO of Cincinnati Ballet) and Devon Carney (Associate Artistic Director, Cincinnati Ballet) take this wonderful cornucopia of dancers and mold them into a cohesive and thrilling whole.  In short: Swan Lake is a stunning example of the transportive power of dance.

In the remaking, there are a few nods to other classical ballets--Siegfried (danced tonight by new BalletMet company member Andres Esteves) wears a blue costume in Act I, which is reminiscent of Rudolph Nureyev's Swan Lake costume, and the mesmerizing first entrance of the swan maidens seems to borrow from La Bayadere's "Kingdom of the Shades." I'm not sure if these were purposeful allusions, but if they were, I loved them.

Our doomed lovers this evening were danced by Carrie West, a BalletMet veteran, and Mr. Esteves (as always with BalletMet shows, casts rotate). Mr. Esteves joined BalletMet from the National Cuban Ballet this year, and one would imagine that coming from Cuba to Columbus, OH, would require a bit of a cultural adjustment. But, as Mr. Esteves said during a post-show question and answer period, the language of classical ballet is the same everywhere. In his first outing with BalletMet, Mr. Esteves gave a bravura performance as the conflicted Prince Siegfried, who must marry, but is not in love with any of the pretty courtiers and princesses who flood his court. Esteves is a brilliant dancer and actor, which is hard to accomplish, and conveys Siegfried's reluctance, curiosity, despair, and joy once he finds his love.

During a hunting trip with his best friend, Benno (danced by Cincinnati Ballet principal dancer Cervilio Miguel Amador), and other men of the court, Siegfried discovers the "Swan Lake" and aims his crossbow at an approaching swan.

This isn't just any Swan--this is Odette, Queen of the Swans, who have been enchanted by the evil sorcerer Von Rothbart (danced with impressive athleticism by BalletMet's Jimmy Orrante). They are doomed to be Swans during the day, but maidens at night. Only enduring love can break the spell.

I have seen Ms. West in a variety of productions, from world premiers (Dracula, where she danced the prim Victorian turned undead vampire Lucy Westerna) to the foundations of classical ballet (Princess Aurora in Sleeping Beauty). She has always been one of my favorite dancers, but tonight she was a revelation. Every movement was technically sound and brilliantly acted. Her transformation, from swan to maiden, and back again, was true artistry, as were her brilliant pas des deux with Esteves. Rock-solid technique gives her a foundation to present truly emotional and glorious performances. I have never seen a dancer like her, who seems born to dance the classical repertoire. Not only is she a gorgeous dancer, but she is gracious and kind in person. During the post-show Q&A she answered a question from a little girl regarding how many pointe shoes she went through per show (Answer: two), and signed autographs afterwards. She must have been exhausted, but didn't show it.

The corps of Swan Maidens, who attend Odette, arrive. While Benno and the other men aim their crossbows, Odette rushes in to protect her maidens; Siegfried tells them to go elsewhere. Act I ends with Siegfried pledging his love to Odette, who turns back into a swan as dawn arrives.

Act II opens with a royal ball, where Siegfried, by order of his mother (Susan Brooker), must choose a bride. Six women are presented to him--in a glorious touch of comedy, they joust for position, each striving to be the one who catches Siegfried's eye. But he only has eyes for Odette-until a new guest, and his daughter, arrive.

Von Rothbart, seeing the Prince's love for Odette, and knowing that this love would break his power over all the swans, has come to the party, bringing his daughter, Odile (BalletMet's Zoica Tovar), who is enchanted to look like Odette. Thus fooled, Siegfried dances joyfully with her, and pledges his love. Odette rushes in, heartbroken, and Siegfied realizes his mistake--but too late.

In most productions, Odette and Odile are danced by the same person, in order for the 'illusion' to be complete. In Nixon's 2004 version, they were danced by separate women--Nixon said that he didn't want Siegfried's mistake to be a simple one--he wanted to make it much more than just a mix-up. In this production, Charles decided to again have them danced by separate women, and they are, indeed, quite separate. Odette is graceful, shy, protective of her swan maidens, and enduringly feminine. All her movements are elegant. Odile is sexy, athletic, and daring. Ms. Tovar's eyes are some of the most dramatic I have ever seen in a dancer--as Esteves spun her during their pas, her eyes flashed with glee at the audience. She knew what she was doing.

After Siegfried's betrayal, Odette rushes to the lake, where her maidens comfort her. Siegfried has followed her, and, kneeling before her, begs forgiveness. The heartbroken Odette forgives him, and they dance an achingly sad pas with the swan maidens around them. They both know what will happen to Odette, now that Siegfried has pledged his love elsewhere.

Von Rothbart appears to take Odette. She valiantly tries to protect Siegfried, but the two men fight, and, at the end, Odette throws herself off a cliff in despair. Unable to live without his love, Siegfried follows suit, thus demonstrating the enduring love that breaks Von Rothbart's power over the swans. As the swan maidens advance on the evil sorcerer, he flees, and the swans become young maidens again. Snow falls from the sky, and we see an apotheosis of Siegfried and Odette, together eternally in the sky.

(It is a wonderful story, isn't it?)

Odette and Siegfried were really perfect tonight. They partnered together beautifully-there were some one-handed lifts that Esteves accomplished that truly seemed other worldly. I don't think I have ever seen Ms. West partnered so well, except with her husband, former BalletMet dancer Dmitri Suslov. Esteves also answered several questions during the Q&A and stopped to talk with some patrons (including one who spoke Spanish). As tired as he must have been, he remained personable and friendly--a very gracious performer.

In any Grand Ballet, there are what's called divertissments--essentially, dances for the company dancers that don't really add anything to the story, but do show off impressive technical/artistic skills. (Almost the entire second act of Nutcracker, and much of the end of Sleeping Beauty is all this sort of dancing.) But it doesn't need to advance the plot to be fun! BalletMet's students shone in the first act, where the "waltz girls", "courtiers" and "pages" danced with aplomb (the pages were adorable). The Neopolitian, Spanish, and Hungarian dances at the royal party were excellent examples of luscious costumes (especially the flamenco dresses) and diverse dance styles. (The female Hungarian dancers wore character shoes, instead of pointe shoes, for their piece.) The Princesses were hysterically amusing as they vied for Siegfried's attention, and were appropriately put out when the glamorous Odile arrived.

Odile's dancing is athletic, bold, and even a bit sexy. Ms. Tovar is also a new addition to BalletMet. Most of her dancing was excellent, but in her first pas with Siegfried, her supporting leg shook on every balance and releve. It was sort of distracting, but it corrected itself as the act went on. Her fouettes and pirouettes were wonderful. Orrante was, as usual, brilliant in the role of the evil sorcerer who will do everything to advance his own agenda at the expense of Odette and the Swan Maidens' happiness.

Finally, one must give major applause to the Swan Maidens. All of them were simply wonderful--technically sound, artistically perfect. The Cygnets--four swan maidens who danced several divertissements--were stunning. Their first appearance in Act I, where they joined their hands in a criss-cross pattern and executed elaborate footwork as they progressed down the stage, was marvelous. The "Big Swans" danced lovely duets together. In the party scenes, I loved watching Samantha Lewis and Dustin James (both of BalletMet) in the Neopolitan dance.

Lighting was designed by Trad A Burns, Cincinnati Ballet's lighting designer, and was marvelous, especially at the end, when Siegfried and Odette are bathed in a golden spotlight. The costumes, done by both company's costume shops, were just divine. So many colors, fabrics, and lengths! Hats, tambourines, feathered fans....what the costume department came up with was incredible. The lush fall colors of the opening scene gave way to cooler tones for the princesses, and Siegfried and Odile's matching costumes in Act II was an inspired stroke of design.

I know that this is much longer than my usual review, but there is just so much to compliment and rave about in Swan Lake. All you really need to know, though, is this--go see it. You will not be disappointed.

(Oh, and another note--GREAT crowd, lots of kids. Even saw my pastor. I loved the little ballerinas who asked for Carrie West's autograph post show.)

BalletMet and Cincinnati Ballet present "Swan Lake", at the Ohio Theater, Oct. 17 at 8:00 p.m. and Sunday, Oct. 18, at 2:00 pm. Ticket prices begin at $29 and can be purchased at the CAPA box office (next door to the theater) before showtime. 

Seven Quick Takes Friday--Vol. XV



I.
So, I did this yesterday. And I am going to the oral surgeon to have the rest of the stitches removed today. I'm sort of a walking medical experiment right now!

II.
But, what makes me really happy? The arts are back in Columbus! The new seasons have begun and I'm  enjoying it immensely.  I went to the CSO's first classical concert last week, and tonight is Swan Lake, presented by BalletMet and the Cincinnati Ballet. If you don't have tickets, never fear! You can get them tonight! The show runs in Columbus until Sunday. I will, as always, have a post about the ballet up tonight when I get back.

III.
Re-reading J. Maarten Troost's travel books, because I need some funny lately. If you haven't read them, check them out.

IV.
And if you haven't seen this video, that I posted yesterday, it is well worth your time.

V.
Feeling OK after yesterday's biopsy. There was a little bit of total "I don't care" as a result of the drugs, meaning: "The world is ending? Oh, that's nice." It's sort of a strange and yet fun feeling. Dr. Hogan thinks they're benign cysts but we'll find out for sure when we get the pathology report next week.

VI.
The autumn colors here ROCK. I'll try to get some good pics to put up later. The trees are losing their leaves pretty quick, but the ones that are left are gorgeous.

VII.
Had dinner with my Aunt Patty last night, who was in town to pick up her daughter, Kelly. We celebrated Mel's birthday at Olive Garden (she turns 20 tomorrow, yikes!) and it was quite nice. Kelly goes to UM, but she has friends that live in Pickerington (friends of my brother's, as well) who would take her here, and her mom would pick her up and bring her home. A roundabout way to get back to the Burgh for her, but it's always nice to see the relatives.


Wednesday, October 14, 2009

Tomorrow

Sorry I've been a bit AWOL, so here's your update:
my biopsy is tomorrow in Children's Interventional Radiology Department. According to Dr. A's office, I could get results as quickly as late Friday afternoon, or not until Monday or Tuesday. So I either know and am relaxed/ frantic all weekend, or I don't know and get to be....relaxed/frantic all weekend.
It helps that Swan Lake is on Friday night--an excellent distraction.
Anyway, the biopsy's at 9:30 tomorrow, I'm  NPO after midnight, and...that's about it, update wise.
I'll have a wrap-up tomorrow.

Monday, October 12, 2009

The Simple Woman's Daybook--October 12, 2009




Outside My Window ...

A bit overcast. The leaves, however, are looking wonderful--red, black, ochre, gold, yellow, a bit of green, some fantastic auburn. It's so beautiful!

***
I am listening to...
Loreena McKennit, "The Book of Secrets" (I'm ADDICTED, I tell you. Addicted.)

***
To Live the Liturgy...
Rosary, Magnificat, Bible reading, classes
***
To Fit and Happy...

Gym today. I swear it will be happening. I have the day off, there's no reason it cannot happen.
***
I am thankful for...
my faith sharing group
***

I am pondering ...
What I can get done today.
***
From the kitchen ...

Irish Soda Bread (recipe up later), pizza for dinner with peppers, onions, and garlic from the North Market
I am wearing ...
A pink camisole, Pitt sweatpants (yeah, I just got up)
***
I am creating ...
The memoir; music (voice lesson practicing)

***
On my iPod...
Voice lesson music


***

I am thinking...
that I am looking forward to today.
***

Around the House
I mopped yesterday! Go me! Vacuuming today.

.***

I am reading ...

How the Irish Saved Civilization
***
I am hoping and praying ...
that my biopsy goes well this week. 

***

On Keeping Home ...

these candles look awesome. (keeping this link because they are awesome)
I was re-organizing a few things yesterday, trying to make the place look a bit tidier. More to do today, but I've been enjoying it so far. 
***
One of my favorite things ...
baking


***
A Few Plans For The Rest Of The Week:

Monday: OB/GYN appointment
W: Ballet
Thursday: Biopsy/voice
Friday: Swan Lake!

A picture thought I am sharing: 

The Jane shelf in my apartment--my scholarly books on Jane, and the Madame Alexander "Emma" doll. The novels are with the rest of my fiction. 
***
If you like reading my daybook, you can find many more over at Peggy's!


Tuesday, October 06, 2009

Swan Lake is a-comin'!



Hey all Columbus folks--get yourself some tickets to Swan Lake, ASAP.
It promises to be an excellent show! So come on out! It's only here for ONE weekend, Oct. 16-18, and then it goes to Cincy.
You don't want to miss it. Really.

BalletMet dancer Carrie West (also in picture above)
Photo credits: BalletMet

Monday, October 05, 2009

The Simple Woman's Daybook--October 5, 2009




Outside My Window ...
Another lovely fall day in central Ohio--a bit of a breeze, sunny, mid 60s. Perfect. 

***
I am listening to...
Loreena McKennit, "The Book of Secrets"

***
To Live the Liturgy...
Rosary, Magnificat, Bible reading, classes
***
To Fit and Happy...
Gym and ballet class. I feel so much better than I did last week, the gym will be happening. 
***
I am thankful for...
A few days to recover and get back on track.
***
I am pondering ...
***
From the kitchen ...
I'm on the "milkshake, ice cream and pasta" diet until Friday, thanks to my oral surgery last week. Not that Imind, because I get to eat the yummy flavors I linked to above (besides the chocolate, I have root beer and Red Hot Apple Cider Sorbet! Don't those just sound delicious?)
I am wearing ...
my string of pearls, a white camisole with lace trim, a lavender cardigan from J.Crew, and a wool boucle skirt (in a purple-ish weave) from Talbots. And brown tights. 
***
I am creating ...
My memoir. I gave it to my brother to read yesterday and he really likes it so far, so I am pushing onward.

***
On my iPod...
Voice lesson music

***
I am thinking...
that fall is my favorite season
***
Around the House
Cleaning the floors, but that's about it...

.***
I am reading ...
Just finished the new Isabel Dalhousie novel. Tremendous! 
***
I am hoping and praying ...
For friends who are undergoing chemo this week; for my body to keep cooperating. 
***
On Keeping Home ...
these candles look awesome. (keeping this link because they are awesome)
***
One of my favorite things ...
See ice cream link, above. :)

***
A Few Plans For The Rest Of The Week:
Monday: Parish Council
W: Ballet
Th: Voice
Sat: Homecoming at Capital--my five year class reunion. Yikes!

***
If you like reading my daybook, you can find many more over at Peggy's!